While architectural styles keep changing, Richard Meier is a rock of constancy, holding fast to the forms and principles of classic 20th-century modernism. His pristine white buildings, precise and articulated, proclaim that rationality and clarity still have the power to impress us in an age of unfettered stylistic experimentation. Others may seize the role of Dionysus, but he is content to be Apollo.
This is the third installment of a series of monographs on Meier's architecture; the first volume was published in 1985. It records 23 works designed or completed between 199
Sin of Pride
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